Silk Bedcoverings in the Early Chesapeake
Region:
Interpreting Documentary Evidence
by
Gloria Seaman Allen
Elite and
aspiring classes of the early Chesapeake region acquired imported silk
coverings for their bedsteads. Described by estate appraisers as silk [bed]
rugs or quilts, these bedcovers were a luxurious alternative to the more usual
rugs of wool pile and quilts of woolen or worsted materials.
The Gunston Hall
Plantation class-defined database of 325 Virginia and Maryland probate
inventories, recorded between 1740 and 1810, provides evidence for the use of silk bedcoverings in the early Chesapeake
region. Silk rugs, which account for more than 15 percent of the recorded bed
rugs, retained their popularity up until the Revolution. Several estate appraisers
described them as “old” as early as 1745, thus suggesting an earlier entry
date. By 1780, silk rugs, and bed rugs in general, had lost favor with the
elite.
Silk quilts
first appear in the Gunston Hall database in 1751. Never as numerous as silk
rugs in the 1740-1810 sample, silk quilts account for only 4 percent of the
quilts recorded. They peaked in popularity during the 1750s and 1760s. After
the Revolution, silk quilts, like silk rugs, lost favor to light weight,
washable quilts and counterpanes made from imported, inexpensive printed linens
and cottons.
Textile
historians, working with Chesapeake probate inventories, have speculated on the
appearance of silk bed rugs as none are known to have survived. The
construction of the few extant domestic and imported woolen rugs offers few
clues. Rare eighteenth-century “whole cloth” silk quilts and quilts pieced from
different silk materials support descriptors occasionally found in documentary
references.
Gloria Seaman
Allen received her Ph.D. in American Studies with concentrations in material
culture and folk life from George Washington University. Her dissertation
explored the roles of slave women in cloth production on large plantations in
the Chesapeake region. She has written and lectured extensively on eighteenth-
and nineteenth-century textiles and textile workers from Maryland and Virginia.
Recent works include the book, A Maryland Album: Quiltmaking Traditions,
1634-1934, the published paper “Slaves As Textile Artisans: Documentary
Evidence for the Chesapeake Region,” in Uncoverings 2001, and the
article“ Needlework Education in Antebellum Alexandria,” in The Magazine
Antiques. From 1980 to 1990 she served as curator and then director of the
Daughters of the American Revolution Museum in Washington, D.C.