Woven Bands, Medicines and Recipes

Cod. Pal. Germ 551

The adventures, provenance and contents of a 15th century Manuscript held at the Library of Heidelberg University in Germany.

 

 

By

Ute Bargmann

 

                This manuscript is part of the most illustrious of German medieval libraries. The paper addresses the history of the collection during a very turbulent time in Central Europe and its present-day disposition. Some sleuthing resulted in the establishment of the provenance, the convent of the Poor Clares in Nuremberg. Here follows a history of the order up to the Reformation and a description of the tasks of the nuns and their position within the Imperial Free City of Nuremberg.

                A little over half of the manuscript consists of patterns for brocaded tablet woven bands, written by several hands. Some of the bands in the oldest part were for hair bands and belts, a typical young girl’s finery and the later ones are obviously bands for finishing and decorating items of fancy attire, since they were brocaded with gold thread and some decorated with freshwater pearls. The convent was quite famous for these bands, which were made for use in the production of paraments, to edge vestments and to edge orphrey crosses. In this manuscript one can see the transition from two types of notation, using roman or arabic numerals to a system that uses numerals for ground and symbols for pattern sections. The first notations serve in a fairly speedy way of weaving, and the so-called innovation slows things down considerably.

                The remaining pages consist of a compendium of cures for ailments, sections on falconry, horse medicine and recipes, and in the middle of it all a truncated description of how to make loop-manipulated braids, which were used for all the lacings in medieval garments.

 

 

Ute Bargmann received a diploma as translator and interpreter at the Sprachen-und Dolmetscher Institut in Munich, and a Master Weaver certificate at the Hill Institute in Florence, Massachusetts. She worked for many years in Special Collections and Archives in the University of Massachusetts Amherst Libraries.

She has given lectures on ethnic textiles and seminars on different weaving techniques at New England Weavers Guilds. Last year, she designed an exhibit based on the above manuscript at the W.E.B. Du Bois Library at the University of Massachusetts Amherst.

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