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1994 Symposium

Photo courtesy of Lotus and Edward Stack

 

 

Contact, Crossover, Continuity

1994 Proceedings:
Contact, Crossover, Continuity
(OUT-OF-PRINT)

Fourth Biennial Symposium, September 22-24, 1994. UCLA Fowler Museum of Cultural History, Los Angeles, California

Contact, Crossover, Continuity: Fiber and Garment

  • Featured paper: Ancient Near Eastern Fibers and the Reshaping of European Clothing. - Elizabeth J.W. Barber
  • Wreath and Cap to Veil and Apron: American Modification of a Slavic Ritual. - Patricia Williams

Textile Transformations and Cultural Continuities in West Africa

  • Akwete-Igbo Weavers as Entrepreneurs and Innovators at the Turn of the Century. - Lisa Aronson
  • What's in a Name: The Domestication of Factory Produced Wax Textiles in Cote d'Ivoire. - Kathleen E. Bickford
  • Technology and Change: The Incorporation of Synthetic Dye Techniques in Abeokuta, Southwestern Nigeria. - Judith Byfield
  • The Transformation of Men into Masquerades and Indian Madras into Masquerade Cloth in Buguma, Nigeria. - Elisha P. Renne and Joanne B. Eicher.
  • Discussion of “Textile Transformations and Cultural Continuities in West Africa.”  - Christopher B. Steiner.

Foreign Contact in the Pacific Rim

  • The Conversion of Chinese Court Robes into Japanese Festival Hangings. - Gloria Granz Gonick
  • Micronesian Textiles in Transition: The Woven Tol of Kosrae. - Ann Deegan and Ross Cordy
  • Bolong-Bolong and Tirtanadi: An Unknown Group of Balinese Textiles. - Marie-Louise Nabholz-Kartaschoff and Monika Palm-Nadolny
  • Green Labels with Golden Elephants: Western European Printed Cottons for Malaysia and Indonesia. - Frieda Sorber

Looking to the Past, Looking to the Future: Two Contemporary Approaches

  • Continuity of Culture: A Reenactor's Goal. - Elizabeth McClure
  • The Influence of Computer Technologies on Contemporary Woven Fiber Art. - Cynthia Schira

Featured Paper:

  • Contact, Crossover, Continuity: The Emergence and Development of the Two Basic Lace Techniques. -Santina Levey and Milton Sonday

New Meanings, Borrowed Forms: Flux and Influx in the Textile Traditions of Flores, Indonesia

  • Supplementary Weft on an 'Ikat' Isle: The Weaving Communities of Northwestern Flores. - Roy W. Hamilton
  • The 'Severed Shroud': Local and Imported Textiles in the Mortuary Rites of an Indonesian People. - Penelope Graham
  • From the Ancestors or the Portuguese: Exotic Textiles in Flores and the Solar Archipelago (abstract). - Robyn Maxwell
  • Cloth as Marriage Gifts: Change in Exchange Among the Lio of Flores. - Willemijn de Jong

Crossover: Motifs Transformed

  • Byzantine Influences Along the Silk Route: Central Asian Silks Transformed. - Anna Maria Muthesius
  • The Pomegranate Pattern in Italian Renaissance Textiles: Origins and Influence. - Rosalia Bonito Fanelli
  • Ottoman Silks and Their Legacy. (abstract) - Diane Mott
  • The Assimilation of European Designs into Twentieth Century Indian Saris. - Linda Lynton

Continuity: Influence of the Marketplace

  • Raphael's 'Acts of the Apostles' Tapestries - The Birth of the Tapestry Reproduction System. - Marjorie Durko Puryear
  • Market Effects on the Design and Construction of Carpets in the Milas Region of Southwestern Turkey, 1963-1993. - Charlotte A. Jirousek

Traditional Techniques in New Settings

  • Featured Paper: Charmingly Quaint and Still Modern: The Paradox of Colonial Revival Needlework in America, 1875-1940. -Beverly Gordon
  • From Bohemian to Bourgeois: American Batik in the Early Twentieth Century. - Nicola J. Shilliam
  • New Twist on Shibori: How an Old Tradition Survives in the New World When Japanese Wooden Poles are Replaced by American   PVC Pipes. - Yoshiko Iwamoto Wada
  • Video: Paj Ntaub: Textile Techniques of the Hmong. (video script) - Joyce Smith

Fashioning Identity: Appropriation and Creativity in Pre-Columbian and Contemporary Andean Cloth

  • Anni Albers: Pre-Columbian Resonances, the Significance of Pre-Columbian Art in Her Textiles and Writings. - Virginia Gardner Troy
  • Ancient Andean Headgear: Medium and Measure of Cultural Identity. -Niki R. Clark and Amy Oakland Rodman
  • Paracas Cavernas, Paracas Necropolis and Ocucaje: Looking at Appropriation and Identity with Only Material Remains. - Ann Peters
  • Dressing the Part: Indigenous Costume as Political and Cultural Discourse in Peru. - Katharine E. Seibold
  • Ethnic Artists and the Appropriation of Fashion: Embroidery and Identity in the Colca Valley, Peru. - Blenda Femenias
  • (Re-)Fashioning Identity: Late Twentieth-Century Transformations in Dress and Society in Bolivia. - Elayne Zorn

 

     
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