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Approaching Textiles, Varying Viewpoints
2000 Proceedings:
Approaching Textiles, Varying Viewpoints
Seventh Biennial Symposium, September
19-24, 2000. La Fonda Hotel, Santa Fe, New Mexico.
The Seventh Biennial Symposium of the Textile Society of America
was held September 19-23, 2000 at the La Fonda Hotel in Santa Fe,
New Mexico. The TSA 2000 Symposium theme, Approaching Textiles,
Varying Viewpoints reflected members' interests in textiles as fascinating
objects that draw our attention and reflect their cultural, geographic,
and temporal settings. Varying Viewpoints emphasized the ways in
which scholars and artists investigate textiles through many different
methods and theories. Indeed, the 2000 Symposium showcased a wide
range of professional approaches from the perspectives of artists,
art historians, anthropologists, conservators, entrepreneurs, historians,
and many others. Viewpoints invited exploration of differing cultural
perspectives. Several panels include indigenous scholars and textile
producters/users from around the world.
A session featuring textile-related videos and a market place/bookfair
were special features this year. Santa Fe also offered the opportunity
to enjoy the many local museums, galleries and studios, many of
which offered special events for Symposium attendees. Before and
after the Symposium, study tours visited fascinating out-of-town
sites such as Taos, Acoma, and Laguna Pueblos, the Millicent Rogers
Museum and the Spanish weaving village of Chimayo.
The 2001 Proceedings contain the juried presentations made during
the 2000 Symposium. The variety of approaches represents the richness
of interests found among Symposium participants and also the unique
resources that Santa Fe and surrounding areas provided for this
gathering.
2000 Proceedings:
Approaching Textiles, Varying
Viewpoints
Seventh Biennial Symposium, September
19-24, 2000. La Fonda Hotel, Santa Fe, New Mexico.
Quechua and Navajo Textiles: Teaching Tradition
Through Weaving
Andean Textile Analyses, Past and Present
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The “Aristocracy of Color” among
Kolla Communities in the Andes of Northwest Argentina. -Andrea
Fuchs
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The Order of Things in Ancient Peru: Visual
Metaphors in Wari-associated DWW Textiles. -Jane
W. Rehl
The Washita (Lodge Pole River) Massacre Blanket:
from Southwestern Loom to Cheyenne Village and Beyond
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The Washita Chief Blanket: Part I, Textile
Analysis. -Peggy Whitehead and Joyce Herold
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The Washita Chief Blanket: Part II, Provenance
and Ethnohistory. -Joyce Herold and Gordon L. Yellowman,
Sr.
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Pitfalls, Perceptions, Problems, and Possibilities
in the Perusal of Prehistoric Fabrics. -Mary
Elizabeth King
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Archaeological Textiles: the Numbers Game. -Nettie
K. Adams
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Ancient Traditions, New Interpretations:
Compression Resist Textiles in North and Mesoamerica (abstact).
-Virginia Davis
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Approaching Fabrics Through Impressions
on Pottery. -Penelope B. Drooker
Computerized Jacquard Weaving: Exploring Options
and Issues for Textile Artists and Designers
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A Cautionary Tale Concerning Textile Reproduction. –Marjorie
Durko Puryear
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Jacquard Art Weaving: an Inexhaustible
Process of Exploration. -Louise Lemieux Berube
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From Upholstery to Installation: Educating
Designers and Artists Using an Electronic Jacquard Loom. -Deborah
First
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A Mao a Minute: Real Computers as Virtual
Weavers. -Lisa Lee Peterson
Reflecting on the Upper World: Textiles of Heaven
and Earth
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Decoding the Divine: Kathi Embroideries
of Saurashtra. -Victoria Z. Rivers
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Conversing with the Cosmos. -Linda
L. Beeman
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Woven Incantations (abstract). -Jasleen
Dhamija
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Narrating Seen and Unseen Worlds: Vanishing
Balinese Embroideries (abstract). -Joseph Fischer
Museum Viewpoint-Fiber Art and the Struggle
for Recognition
Textile Tradition and Fashion in the Context
of Globalization
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India-west Africa Trade Textiles (Iwatt) ‘An
Escapade in the Life’ of Gujarati Mirror-work Embroidery. -Hazel
A. Lutz
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Cloth in Contemporary West Africa: A Symbiosis
of Factory-made and Hand-made Cloth. -Heather
Marie Akou
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Afghan after a Fashion: the Fusion of
Politics with Religion and Women’s Textile Craft Economies.
-Catherine Daly
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Discussion of Panel Textile Tradition
and Fashion in the Context of Globalization. -Joanne
B. Eicher
The Strength of Embroidered Symbols
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Policarpio Valencia’s Embroidered
Poetry. -Annin Barrett
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Turkoman Embroidery and Women's Magic (abstract). -Kate
Fitz Gibbon
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Embodying Embroidery: Researching Women's
Folk Art in Western India. -Michele Hardy
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Heavens’ Embroidered Cloths - Textiles
from the Honan Chapel, University College Cork, Ireland. –Elizabeth
Wincott Heckett
Cultural and Political References in Contemporary
Fiber Art and Textile Production
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Contemporary Polish Textile Art: a Legacy
in Transition. –Gayle Wimmer
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Shibori: Tradition and Innovation (abstract). -Ana
Lisa Hedstrom
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Teaching and Learning: a University Studio
Art Experience of Trique Weaving (abstract). -Laura
Strand
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A Sense of Place and Identity in Aotearoa
New Zealand. -Kelly Thompson
Textiles in and from Japan
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Old Ties and New Points. -Keiko Kobayashi
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Bureaucratic Ideals and Artisanal Reality:
Survival Strategies in the Production of Echigo ju (abstract). -Melissa
M. Rinne
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Japanese Kimono Fashion of the Early Twentieth
Century. -Annie Van Asche
Textiles and Their Messages: Perspectives from
the Central Andes
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Tokapu Messages. -Catherine
Julien
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Textiles and Their
Messages: Perspectives from the Central Andes: an Examination
of Structure as Message in the Chavin Textiles (abstract). -William
J. Conklin
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Clothes from Cactus?
Ancient and Contemporary Examples of Cactus Fiber Clothes
and Textiles in Ecuador-Lynn
A. Meisch
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The Multiple Layers of Meaning in a Paracas
Necrópolis Textile. -Anne
Paul
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‘Tornesol': a Colonial Synthesis
of European and Andean Textile Traditions. -Elena
Phipps
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Of Gods and Men, Ancestors and Tapestry
in the Central Andes. -Amy Oakland Rodman
Panel: Fiber Art/Works of Art
“Putting Out” Textiles: Economic
Approaches
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The Gaziantep Cloth Trade: a Study of
a Putting-out System of Cloth Production in Southeastern
Turkey. -Charlotte Jirousek
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Ajrak: Cloth from the Soil of Sindh. -Noorjehan
Bilgrami
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African American Women: Plantation Textile
Production from 1750 to 1830. -Karen Hampton
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The “Invasion” of Zapotec
Textiles: Indian Art “Made in Mexico” and the
Indian Arts and Crafts Act. -W. Warner Wood
African Textiles in Trade
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Weaving and the World Economy or How Colonialism
and Coffee Affected the Indigenous Weaving Industry in Zuénoula, CôteD’ivoire. -Barbara
Sumberg
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A Textile Enterprise as a Tool of Economic
Development: Part I. -Haddy Prom
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A Textile Enterprise As a Tool of Economic
Development: Part II. -June Pearson Bland
Expanding Textile Studies
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Expanding Textile Studies Through the
Use of a University Costume Collection (abstract). -Gayle
Strege
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A Faculty / Staff Discussion Seminar on
Textiles. -Deborah A. Brothers
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Expanding Textile
Study: Some Recent Approaches: A Museum Approach to Exhibition
a History of American Textiles. -Karen J. Herbaugh
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Textiles, Scholarship, and Art Education:
An Art College Perspective. -Wendy Landry
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Conservators' Approaches to Viewing Textiles. -Harold
F. Mailand
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Discussion of Recent Approaches to Expanding
Textile Studies. –Patricia A. Cunningham
Textiles Viewed from the Decorative Arts
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Bringing it Home: Extracultural Experiences
in the Art of Carolyn Price Dyer. –Mary Lane
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Examining Mid-century Decorative Arts:
Pipsan Saarinen Swanson’s Printed Textiles for the
Saarinen Swanson Group. -Ashley Brown
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From Paint to Wool: Artist-weavers at
the Victorian Tapestry Workshop. -Tina Kane
Reinventing a Cultural Self: Textile Design and
Native American Youth
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Reinventing a Cultural Self: Textile Design
and Native American Youth I. -Wendy Weiss and Mary Lee
Johns
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Reinventing a Cultural
Self: Textile Design and Native American Youth II. -Gloria
E. Gonzalez-Kruger, Wendy Weiss and Mary Lee Johns
Cultural Contexts of Textile Production
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Ixchel and Cotton Cloth Production in
Classic Period Northern Yucatan (abstract). -Traci
Ardren
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Revisiting Kashmir in Spirit. -Peter
Harris
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Reed Screens of Central Asia (abstract). -John
Sommer
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Nature as Code. -Ruth
Schueing
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Material and the Promise of the Immaterial. -Ingrid
Bachman
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Performative Textile Gestures. -Ann
Newdigate
Symbolic Meaning in Textiles
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Weaving From the Womb: Textiles, Gender,
and Kinship in Rupshu (Eastern Ladakh) (abstract). -Monisha
Ahmed
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Dynamics of Warp and Weft: Contemporary
Trends in Naga Textiles and the Naga Collection at the Pitt
Rivers Museum, Oxford. -Vibha Joshi
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Symbolic Content in Textile Motifs: Using
the Semiotic Approach. -Patricia Williams
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Perpetuating Ritual Textile Traditions:
A Pueblo Example. -Laurie D. Webster
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Traditional Costume and the Zapatistas. -Carol
Hayman
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Thai Textiles: the Changing Roles of Ethnic
Textiles in Thailand. -Linda Mcintosh
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